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The World is Mine, Hegel and Žižek: A Tragedy-Comedy of the Nietzschean Drama of the Anti-Christ

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Abstract This article embarks on a multidisciplinary exploration of the Kabbalistic Four Worlds ( Atzilut , Beriah , Yetzirah , Assiah ) as a framework for understanding the modern ego's pursuit of individuality. Drawing upon a Hegelian dialectical perspective , we analyze how the subjective drive for self-realization navigates the complexities of contemporary society. Furthermore, by incorporating Slavoj Žižek 's " parallax view " and applying it to the Schrödinger's Cat paradigm, we illuminate the inherent contradictions and the performative nature of this quest for selfhood. The article ultimately frames this existential journey as a "tragedy-comedy" that echoes Nietzsche 's "drama of the Anti-Christ ," where the assertion of individual will simultaneously liberates and potentially collapses into nihilistic fragmentation, mirroring the quantum uncertainty of modern identity. Keywords Kabbalah, Four Worlds, Ego, Individuality, Modern So...